With ZBrush 3.5, create at the speed of light with new sketching features:
QuickSketch allows you to draw your thoughts and ideas in 2D in a simple and elegant way to rough them out so that you can quickly find the best approach and move forward. ZSketch, combined with the improved ZSpheres II, adds the ability to freely create directly in 3D space, sculpting shapes and forms that you could previously only dream of.

For three-dimensional modeling program created by Pixologic.Otlichitelnoy feature of this software is to simulate Modeling» 3D-sculpture, enhanced three-dimensional rendering in real time, which greatly simplifies the process of creating the desired 3d-object.

In this course we will learn to use the Blend Shapes plugin for ZBrush 4.

Description:
In this course we ll explore some of the new features in ZBrush 4. With the release of Zbrush 4 a number of new features have been added that will make sculpting and painting even easier and more fun. In this course we will take a look at some of those new features and how they can be used in your workflow. We ll start by exploring some of the changes to the way we can interact with subtools. We will look at new brush settings like elasticity and topological masking that can help us to shape our models more quickly. We will take a look at the new Shadow Box and Clip Brushes that will really aid us in creating hard surface models. We will also cover Spotlight, a great tool for manipulating and adjusting images and projecting them onto our models. Finally we ll go over some of the new rendering functionality and look at the animation tools and how they can help us better present our models. Once done, you will have a much better idea of some of the new features to look for in Zbrush 4 and how you can start to use those in your own projects.

In this tutorial we will use a variety of techniques to paint textures for our female hero model in ZBrush.

Throughout this detailed tutorial, we ll leverage the power of ZBrush and Maya to build a strong female hero character from start to finish.

Description:
Texturing a model in ZBrush has a great many advantages for speed and ease of use. But if you want to keep details on the model, a workflow comes in handy, so that you are not painting every rivet and bolt on your model. ZBrush mapping ability, along with Photoshop layer blending, makes a power combination for a texture artist. This MasterClass! is perfect for anyone interested in making Videogame Quality textures for their models. To begin learning ZBrush Texture Workflow, simply click on the movie links.

This demonstration is a four hour timelapse of the entire making of the African Woman by Rick Baker. There is no audio. Rick begins with a simple humanoid torso basemesh from which he sculpts the woman. The final result consists of several subtools that originate from mesh extractions. The demo is made with Zbrush 3.0 beta, therefore the interface looks a little different from the final release.While there is no audio, this timelapse demonstration represents an amazing opportunity to watch a master sculptor at work.

This video will take you through the process of creating a high-detailed character model in ZBrush. We will have a look at how to adjust the ZBrush interface, how to work with brushes and how to adjust them. You will see me sculpting the models head by starting with a custom base-mesh on a very low resolution level. You will learn some useful tricks about how to use reference material and how to focus on the main shapes of the figure.

Master the secrets of Hollywood s digital sculptors with this essential guide to Pixologic s 3D sculpting software, brought to you by the creators of 3DTotal and 3D World. Cover for ZBrush EssentialsSuitable for every level of experience, ZBrush Essentials is your complete guide to digital sculpting. Inside, the world s leading 3D artists reveal their trade secrets, taking you from basic modelling to advanced detailing and texturing in easy stages.

Join Angie Taylor, Uli Staiger, and Daniel Lieske for this unique collection that includes a basic course covering the tablet’s tools and settings, an extensive video tutorial on motion design with After Effects, and crash courses on 3D with Photoshop, SketchBook Pro, and ZBrush, designed to get you working right away. Each class features lessons with picture-in-picture live footage of the artist working with their pen and tablet, enabling you to see and learn from their techniques up close.

In this tutorial we will learn how to sculpt a creature for use in TV, film or print. Over the course of this tutorial we will look at how to sculpt a Wolfman creature concept using ZBrush. Once our base mesh has been created in Maya, we will use industry-proven techniques to block out and then add anatomical and fine detail before creating a custom brush and alpha to easily and intuitively add dense fur detail. We will then look at some of the new BPR rendering features that are new inside of ZBrush 4R2 to render out a turntable that replicates the look of a vinyl maquette. The final sculpt could be used to get approval for a design from a director as the base for a hero character model for TV, film, games or to be printed out and used as a vinyl statue.

This video will take you through the process of creating a high-detailed character model in ZBrush. We will have a look at how to adjust the ZBrush interface, how to work with brushes and how to adjust them.
You will see me sculpting the models head by starting with a custom base-mesh on a very low resolution level. You will learn some useful tricks about how to use reference material and how to focus on the main shapes of the figure.