In a sleepy and uneventful small town, three college students, bored and desperate to make their mark, plot a savage and merciless murder.

An experienced rescue team composed by Dan, Greg and Cath is trying to locate the six women in the caves of the Appalachian Mountains. Meanwhile Sarah is found wounded, covered with blood, in shock and amnesic by a truck driver and brought to the Hyett County Hospital. Sheriff Vaines suspects that Sarah has killed her friends and forces her to return to the Boreham Caves together with his Deputy Rios and the rescue team. They search deeper and deeper in the caves but when Sarah recovers her memory, she panics and Sheriff Vaines shoots, provoking a cavein. The trapped group sooner faces the hunger and savage breed of predators while trying to find a way out.

Charismatic District Attorney Monique Lamont (Andie McDowell) and Detective Win Garano (Daniel Sunjata) reteam to investigate a notorious Boston criminal in this sequel to At Risk. Her political career floundering, D.A. Lamont attempts to drum up some positive publicity by reopening a savage murder that stumped detectives forty years prior. Janie Brolin was killed in cold blood. Though the original investigation focused on her boyfriend, Lamont believes Janie may have actually been an uncounted victim of the Boston Strangler. Partnering with unapologetically outspoken female detective Stump (Ashley Williams) to investigate, Detective Garano slowly begins making headway when a new series of murders leads him to believe that the original killer may still be at large.

In a sleepy and uneventful small town, three college students, bored and desperate to make their mark, plot a savage and merciless murder. Electing to keep a video journal to memorialize their bizarre pact, they plot in secret, devising a homemade death chamber that will allow them to see, hear, feel, and linger over their intended victims torment and final moments of life. Then, chosen at random, a fellow student becomes this victim when she is to receive perhaps the most brutal and horrifying of all fates. The default leader of this macabre trio directs the physical and psychological terror, even as contention and hostility within the group threatens to jeopardize their twisted plan, culminating in a violent and chilling conclusion.

In a sleepy and uneventful small town, three college students, bored and desperate to make their mark, plot a savage and merciless murder. Electing to keep a video journal to memorialize their bizarre pact, they plot in secret, devising a homemade death chamber that will allow them to see, hear, feel, and linger over their intended victims torment and final moments of life. Then, chosen at random, a fellow student becomes this victim when she is to receive perhaps the most brutal and horrifying of all fates. The default leader of this macabre trio directs the physical and psychological terror, even as contention and hostility within the group threatens to jeopardize their twisted plan, culminating in a violent and chilling conclusion.

Nightmares in Red, White and Blue: The Evolution of the American Horror Film is a feature-length documentary based on the book of the same name by Joseph Maddrey. It examines the idea that horror films reflect the times and places in which they are made - illustrating how classic monster movies exploited the anxieties of war-time generations, and how more savage modern horror films stem from the psychic fallout of Americas counterculture movement and the subsequent rise of increasingly conservative political forces.

Based on the novel by legendary pulp writer Jim Thompson, Michael Winterbottoms The Killer Inside Me tells the story of handsome, charming, unassuming small town sheriffs deputy Lou Ford. Lou has a bunch of problems. Woman problems. Law enforcement problems. An evergrowing pile of murder victims in his West Texas jurisdiction. And the fact hes a sadist, a psychopath, a killer. Suspicion begins to fall on Lou, and its only a matter of time before he runs out of alibis. But in Thompsons savage, bleak, blacker than noir universe nothing is ever what it seems and it turns out that the investigators pursuing him might have a secret of their own.

AD 117. The Roman Empire stretches from Egypt to Spain, and East as far as the Black Sea. But in northern Britain, the relentless onslaught of conquest has ground to a halt in face of the guerrilla tactics of an elusive enemy: the savage and terrifying Picts. Quintus Dias (Fassbender), sole survivor of a Pictish raid on a Roman frontier fort, marches north with General Virilus (West) legendary Ninth Legion, under orders to wipe the Picts from the face of the earth and destroy their leader Gorlacon. But when the legion is ambushed on unfamiliar ground, and Virilus taken captive, Quintus faces a desperate struggle to keep his small platoon alive behind enemy lines. Enduring the harsh terrain and evading their remorseless Pict pursuers led by revengehungry Pict Warrior Etain (Kurylenko), the band of soldiers race to rescue their General and to reach the safety of the Roman frontier.

With a pocketful of drugs, Nick West takes out his girlfriend Sammy, for a shag and a good time. When they explore an abandoned asylum, the discovery of a bizarre device a cross between an electric chair and sadistic fetish machine transforms druggedout bliss into agony and despair. After Sammy is brutally assaulted and murdered by unseen forces, Nick becomes the numberone suspect. So begins British horror director Adam Masons gorefest The Devils Chair, a dark and terrifying journey to the meeting place between insanity and the supernatural. Years pass and Nick, who had been locked up in a mental hospital, is released into the care of eminent psychiatrist Dr. Willard, who is hellbent on exposing the truth behind the killing. Accompanied by Dr. Willard and several of his students, Nick returns to the scene of the crime. However, the decrepit asylum hides a blooddrenched secret. With Dr. Willards team in mortal danger, their only hope is the clinically insane Nick. Chained by memories of the horrifying event and the conflicting version of reality engendered by his psychiatric treatment, Nick is forced to fight the forces of pure darkness to save the team and prove his innocence. Events build to a brutal, gutwrenching climax where nothing is what it seems, but everyone is ripe for slaughter. The Devils Chair is a tale of a simple man fucked over by demons that are not just in his mind but, rather, all too real. Mason and scriptwriter Simon Boyes evoke John Houghs 1973 paranormal gothic favourite, The Legend of Hell House, fiendishly mashing it together with the crass literary stylings of Irvine Welsh and serving it up with a devilish wink to the audience. Operating under a tight budget, Mason displays considerable creative vigour. He is aided by Andrew Howards intense performance as the brutal antihero, deftly flipping from pained vulnerability to savage rage. Complemented by an elegantly haunting score by Zoe Keating, buzzing flies, peeling paint and rotting debris are spun into a nightmare vision of a hell that might live in the darkest recesses of the human psyche.

Based on the novel by legendary pulp writer Jim Thompson, Michael Winterbottoms The Killer Inside Me tells the story of handsome, charming, unassuming small town sheriffs deputy Lou Ford. Lou has a bunch of problems. Woman problems. Law enforcement problems. An evergrowing pile of murder victims in his West Texas jurisdiction. And the fact hes a sadist, a psychopath, a killer. Suspicion begins to fall on Lou, and its only a matter of time before he runs out of alibis. But in Thompsons savage, bleak, blacker than noir universe nothing is ever what it seems and it turns out that the investigators pursuing him might have a secret of their own.

Charismatic District Attorney Monique Lamont (Andie McDowell) and Detective Win Garano (Daniel Sunjata) reteam to investigate a notorious Boston criminal in this sequel to At Risk. Her political career floundering, D.A. Lamont attempts to drum up some positive publicity by reopening a savage murder that stumped detectives forty years prior. Janie Brolin was killed in cold blood. Though the original investigation focused on her boyfriend, Lamont believes Janie may have actually been an uncounted victim of the Boston Strangler. Partnering with unapologetically outspoken female detective Stump (Ashley Williams) to investigate, Detective Garano slowly begins making headway when a new series of murders leads him to believe that the original killer may still be at large.

A team of scientists explore a new planet and find much more than expected.

THE LAST RITES OF RANSOM PRIDE is a tale of bad bitches and despicable bastards who cuss and kill each other. It all starts when Juliette Flowers (Lizzy Caplan) swears to bring the body of Ransom Pride (Scott Speedman) home to Texas after hes gunned down in the streets of Mexico. But to do so, she must battle a murderous Reverend (Dwight Yoakam), a wicked outlaw (Kris Kristofferson), two savage bounty hunters (W. Earl Brown, Jason Priestley) and a vicious Mexican Bruja (Cote de Pablo). With the help of opium smoking Siamese twins (Alfonso & Rene Quijada), a shotguntoting dwarf (Peter Dinklage), and Ransoms crackshot younger brother (Jon Foster), Juliette spills blood on the border to honor her oath to Ransom Pride.