After witnessing the murder of her first and only boyfriend, young Justice decides to forget about college and become a South Central Los Angeles hairdresser. Avoiding friends, the only way for her to cope with her depression is by composing beautiful poetry. On her way to a convention in Oakland, she is forced to ride with an independent-minded postal worker whom she has not gotten along with in the past. After various arguments between them and their friends, they start to discover that their thoughts on violence, socially and domestically, are the same. Justice may finally feel that she is not as alone as before.

LA cabbie Max Durocher is the type of person who can wax poetic about other people s lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can t or won t translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won t do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600 - double what Max asks - Vincent wants Max to drive him to five stops that evening...

LA cabbie Max Durocher is the type of person who can wax poetic about other people s lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can t or won t translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won t do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600 - double what Max asks - Vincent wants Max to drive him to five stops that evening...

LA cabbie Max Durocher is the type of person who can wax poetic about other people s lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can t or won t translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won t do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600 - double what Max asks - Vincent wants Max to drive him to five stops that evening...

LA cabbie Max Durocher is the type of person who can wax poetic about other people s lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can t or won t translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won t do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600...

The great dance is characterised by stunning visuals. The film is the winner of more than 35 international awards. It is a visual poem on the San hunters, who sustain a small band of nomads in the Kalahari Desert. Strictly speaking not a conventional documentary the filmmakers have inter-cut documentary footage with highly original and semi-abstract material so the hard core of fact is surrounded with lyrical evocations of San legends, creating an intriguing visual texture. Black-and-white footage has been combined with richly coloured images, giving the film a poetic dimension rarely seen in documentaries. The directors, Craig and Damon Foster, have created a sublime visual poem with this film, as well as their latest, Cosmic Africa.

Based on the novel Panther in the Basement by the world-renowned author, Amos Oz, the movie takes place in Palestine in 1947, just a few months before Israel becomes a state. Proffy Liebowitz, a militant yet sensitive eleven year old wants nothing more than for the occupying British to get the hell out of his land. Proffy and his two friends spend most of their time plotting ways to terrorize and/or blow up the British until one evening, while hes out after curfew, Proffy is seized by Sergeant Dunlop, a British officer. Instead of arresting him, he deposits him back home,but what ensues in the weeks to come is a friendship between these two foes. Proffy looks to Dunlop as a father figure as his own father is cold and remote. Dunlop, lonely and poetic, loves the spirited boy and they find lots to talk about in their meetings which Proffy must keep a secret from his friends and family. When Proffys friends follow him one day and see that he has been visiting the detested enemy, they report him to the town officials and Proffy is brought to trial for being a traitor. He is eventually found innocent but these experiences shape him for life;especially the shock that he could have such genuine affection for the enemy.

A film noir centering around a hard-boiled, stylish kingpin drug dealer, called King David, who returns to his hometown seeking redemption--but ends up only finding violent death. King David s final moments are spent with Paul, an aspiring journalist who knew him for just a few minutes; yet King David would forever more have an impact on Paul s life. Half preacher, half Satan, and all street smarts, King David had recorded the story of his exploits on audiotape, leaving behind an often-poetic sermon on villainy and its consequences. The tapes reveal that the cycle of violence and retribution, which his actions have spawned, has come back to him, full circle, as he suspected they might all along.

Me and You and Everyone We Know is a poetic and penetrating observation of how people struggle to connect with one another in an isolating and contemporary world. Christine Jesperson is a lonely artist and Eldercab driver who uses her fantastical artistic visions to draw her aspirations and objects of desire closer to her. Richard Swersey, a newly single shoe salesman and father of two boys, is prepared for amazing things to happen. But when he meets the captivating Christine, he panics. Life is not so oblique for Richard s six-year-old Robby, who is having a risquй Internet romance with a stranger, and his fourteen-year-old brother Peter who becomes the guinea pig for neighborhood girls -- practicing for their future of romance and marriage.

A poetic guitarist Eric Draven is brought back to life by a crow a year after he and his fiancйe are murdered. The crow guides him through the land of the living, and leads him to his killers: knife thrower Tin-tin, drugetic Funboy, car buff T-Bird, and the unsophisticated Skank. One by one, Eric gives these thugs a taste of their own medicine. However their leader Top-Dollar, a world-class crime lord who will dispatch his enemies with a Japanese sword and joke about it later, will soon learn the legend of the crow and the secret to the vigilante s invincibility.

A poetic guitarist Eric Draven is brought back to life by a crow a year after he and his fiancee are murdered. The crow guides him through the land of the living, and leads him to his killers: knife thrower Tin-tin, drugetic Funboy, car buff T-Bird, and the unsophisticated Skank. One by one, Eric gives these thugs a taste of their own medicine. However their leader Top-Dollar, a world-class crime lord who will dispatch his enemies with a Japanese sword and joke about it later, will soon learn the legend of the crow and the secret to the vigilante's invincibility.

Naked Finnish men in saunas speak straight from the heart and, in the warmth of rusty stoves, cleanse themselves, both physically and mentally, towards the film’s deeply emotional and unforgettable finale. The film travels through Finland joining men of all walks of life in many different saunas to let us hear their touching stories about love, death, birth, and friendship - about life. In all its simplicity the camera records the raw and rare beauty of landscapes, saunas and men in almost magical pictures. The presence of the characters and the depth of their emotion reaches a limit where it is almost intolerable for the viewer to watch. Steam of Life reveals the men’s naked souls in an exceptionally intimate and poetic way.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino s funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina s older friends, a landowner losing his land, dramatize contrasting images of Italy s future. Their own futures are bleak.

The study of a youth on the edge of adulthood and his aunt, ten years older. Fabrizio is passionate, idealistic, influenced by Cesare, a teacher and Marxist, engaged to the lovely but bourgeois Clelia, and stung by the drowning of his mercurial friend Agostino, a possible suicide. Gina is herself a bundle of nervous energy, alternately sweet, seductive, poetic, distracted, and unhinged. They begin a love affair after Agostino s funeral, then Gina confuses Fabrizio by sleeping with a stranger. Their visits to Cesare and then to Puck, one of Gina s older friends, a landowner losing his land, dramatize contrasting images of Italy s future. Their own futures are bleak.

A poetic love story that follows Manchester and Noon as they enjoy a long, hot, summer romance. Noon is our narrator, a shy taxidermist who keeps a silent menagerie in the freezer alongside Manchester s ice pops. Manchester documents their affair, creating wonderfully charged images with just a couple of cheap, instamatic cameras. When a wealthy gentleman called Franny discovers Manchester and launches his photography on the art world, the success destroys the beauty of their once idyllic life.

The Doors were an American rock band formed in 1965 in Los Angeles, California, with vocalist Jim Morrison, keyboardist Ray Manzarek, drummer John Densmore, and guitarist Robby Krieger. The band took its name from Aldous Huxley s book The Doors of Perception,[3] the title of which was a reference to a William Blake quotation: If the doors of perception were cleansed every thing would appear to man as it is, infinite. [4] They were among the most controversial rock acts of the 1960s, due mostly to Morrison s wild, poetic lyrics and charismatic but unpredictable stage persona. After Morrison s death in 1971, the remaining members continued as a trio until finally disbanding in 1973

A poetic guitarist Eric Draven is brought back to life by a crow a year after he and his fiancйe are murdered. The crow guides him through the land of the living, and leads him to his killers - knife thrower Tin-tin, drugetic Funboy, car buff T-Bird, and the unsophisticated Skank. One by one, Eric gives these thugs a taste of their own medicine. However their leader Top-Dollar, a world-class crime lord who will dispatch his enemies with a Japanese sword and joke about it later, will soon learn the legend of the crow and the secret to the vigilante s invincibility.

A poetic guitarist Eric Draven is brought back to life by a crow a year after he and his fiancee are murdered. The crow guides him through the land of the living, and leads him to his killers: knife thrower Tin-tin, drugetic Funboy, car buff T-Bird, and the unsophisticated Skank. One by one, Eric gives these thugs a taste of their own medicine. However their leader Top-Dollar, a world-class crime lord who will dispatch his enemies with a Japanese sword and joke about it later, will soon learn the legend of the crow and the secret to the vigilante s invincibility.