A story set in the modern upper-middle class of India, where telecommunications and a western lifestyle mix with old traditions, like the arranged wedding young Aditi accepts when she ends the affair with a married TV producer. The groom is an Indian living in Texas, and all relatives from both families, some from distant places like Australia, come to New Delhi during the monsoon season to attend the wedding. The four-day arrangements and celebrations will see clumsy organization, family parties and drama, dangers to the happy end of the wedding, lots of music and even a new romance for the wedding planner Dubey with the housemaid Alice...

Koyaanisqatsi is a documentary (of sorts). It is also a visual concert of images set to the haunting music of Phillip Glass . While there is no plot in the traditional sense, there is a definate scenario. The film opens on ancient native American cave drawings, while the soundtrack chants "Koyaanisqatsi" which is a Hopi indian term for "life out of balance". The film uses extensive time lapse photography (which speeds images up) and slow motion photography to make comparisons between different types of physical motion. In one of the first examples, we see cloud formations moving (sped up) intercut with a montage of ocean waves (slowed down) and in such a way we are able to see the similarities of movement between these natural forces. This technique of comparison exists throughout the film, and through it we learn more about the world around us. The film progresses from purely natural environments to nature as affected by man...

Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.

A comedy centered on an Indian mother who takes her obsession with marriage into the world of serial murder.

Set in Kansas during the early 1900s, a teen-aged Native American boy (newcomer Winter Fox Frank) is taken from his family and forced to attend a distant Indian training school to assimilate into White society. When he escapes to return to his family, Sam Franklin (Wes Studi), a bounty hunter of Cherokee descent, is hired to find and return him to the institution. Franklin, a former Indian scout for the U.S. Army, has renounced his Native heritage and has adopted the White Mans way of life, believing its the only way for Indians to survive. Along the way, a tragic incident spurs Franklins longtime nemesis, the famous Indian Fighter Sheriff Henry McCoy (J. Kenneth Campbell), to pursue both Franklin and the boy.