On June 20, 2009, Neda AghaSoltan was shot and killed on the streets of Tehran during the turmoil that followed the Iranian presidential contest. Within hours, images of her dying moments, captured on cell phones, appeared on computer screens across the world, focusing the worlds attention on mass protests against the rigged elections in Iran. Featuring previously unseen footage of Neda with friend and family, as well as exclusive video of her recorded the day she died, For Neda debuts just before the anniversary of her death.

High above the arctic circle, on a remote Canadian island, a hunter shoots what he believes is a polar bear. He is mistaken. His Inuit guide has never seen an animal like this before. The killing unleashes an investigation by the Canadian authorities. But no-one can tell exactly what he has shot.

Camp Victory, Afghanistan is the true story of the American Exit Strategy. Using 300 hours of footage shot over the course of three years, the film follows a battle-tested Afghan General and the steady stream of U.S. National Guard soldiers deployed to train the men of his newly formed battalion. It is the first film to examine the reality of building a functioning Afghan military-- but it is also a story about friendship and the unlikely bonds that form across cultural, political and social barriers.

20/20 gives viewers the most complete picture yet of the death of Osama bin Laden, from inside the situation room in Washington, DC to inside the compound in Pakistan and inside the minds of the brave men who stormed it.

With new details and behind-the-scenes reports from Chris Cuomo, Elizabeth Vargas and Chris Connelly in New York, Martha Raddatz in DC and Nick Schifrin in Pakistan, this hour includes the exclusive video from inside the compound; a look at the definitive ?tale of two cities,? Washington, DC and Abbotabad; the elite Navy Seals team; the reaction from teenagers who have grown up only knowing life after 9/11; and reality vs. fiction ? how we think we know exactly what happened because of Hollywood?s film portrayals of special ops

This is the military's premier Sniper school. Navy SEALs, Green Berets, and the military's best soldiers all assemble here to learn the craft of shooting from extreme distances. 50% will not survive the cut at the six-week course. Using a wide range of special weapons and equipment, sniper candidates are put to the test to see if they can make the critical kill shot when they are called upon. Make it and they earn the coveted sniper badge. Miss by an inch and they're shipped home.

He s the deadliest weapon on the battlefield, but his next shot could be his last. Outnumbered... Outgunned... Behind enemy lines... What happens when the tables are turned and the hunter becomes the hunted? This is SNIPER: DEADLIEST MISSIONS. From the treacherous jungles of Vietnam and the bloody war zones of Iraq, to danger high in the skies of the Alaskan wilderness, this two-hour special puts you behind the scope with the men who pulled the trigger on some of the deadliest missions in military and law enforcement history. Gripping firsthand accounts, 3-D graphics and jaw-dropping shooting demonstrations take you inside the shadowy world of top snipers and the missions that made them living legends. Outmanned and outgunned - will the next shot be their last?

Summary and review: Using smuggled footage, this documentary tells the story of the 2007 protests in Burma by thousands of monks.
EyeForFilm- Guerrilla reporting has its risks and limitations. When the penalty is life in prison, even death, keeping those cameras hidden is of vital importance, which restricts access to a considerable extent, although any pictures coming out of a locked down country, such as Burma, especially during the monks’ “revolt” of 2007, are of genuine value.
The government decrees that “gatherings of more than five individuals are forbidden”. This is ignored. A day later a curfew is announced in Rangoon and then the violence begins.“They are trying to grab the monks. They are tearing off their clothes.” You see them being thrown into trucks. A Japanese journalist is shot dead in the street. Gunfire can be heard everywhere. Crowds run in panic.
This film is a testament, a witness, a scoop, a cry for help, a recognition, a suppression, a determination to be heard, an act of faith, a murmur of the heart, a defiance, a defeat.

The film, shot entirely in Dominican Republic, tells the intriguing back story about the characters and events leading up to the explosive oil truck heist in “Fast & Furious.”

At once gritty and whimsical, The Unidentified follow Estlin, a passionate young journalist scraping by in New York City. As his frustration with his entry-level job at a local newspaper peaks, his disgruntled best friend, Brooke, leaves Brooklyn for Ohio. Set adrift, Estlin falls for Sophie, an elusive artist with an optimistic view on life. But as their romance blossoms, his high ideals and dogged pursuit of truth come into conflict with her tightly guarded secrets. The film is an exploration of idealism and apathy in todays youth culture and the vestiges of the social consciousness of the 1960s. In a climactic scene shot at a real anti-war protest in Washington D.C., Estlin must come to terms with what has been lost, what still remains and where he must go from here.

At once gritty and whimsical, The Unidentified follow Estlin, a passionate young journalist scraping by in New York City. As his frustration with his entry-level job at a local newspaper peaks, his disgruntled best friend, Brooke, leaves Brooklyn for Ohio. Set adrift, Estlin falls for Sophie, an elusive artist with an optimistic view on life. But as their romance blossoms, his high ideals and dogged pursuit of truth come into conflict with her tightly guarded secrets. The film is an exploration of idealism and apathy in today’s youth culture and the vestiges of the social consciousness of the 1960s. In a climactic scene shot at a real anti-war protest in Washington D.C., Estlin must come to terms with what has been lost, what still remains and where he must go from here.