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Search results: 20 articles (Search results 1 - 20) :
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#1: Music : The Righteous Brothers - Gold: Greatest Hits (2006) |
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| Author: Whisky | 18 August 2011 | Views: 990 |
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The Righteous Brothers - Gold: Greatest Hits (2006)
Release: 2006 | Track: 28 (2CD) | Format: MP3 CBR 320 Kbps | Size: 337 MB
Genre: Pop, Rock | Label: Polydor
The Righteous Brothers were the musical duo of Bill Medley and Bobby Hatfield. They recorded from 1963 through 1975, and continued to perform until Hatfield's death in 2003. Their emotive vocal stylings were sometimes dubbed "blue-eyed soul".
Medley and Hatfield both possessed exceptional vocal talent, with range, control and tone that helped them create a strong and distinctive duet sound and also to perform as soloists. Medley sang the low parts with his deep, soulful bass-baritone, with Hatfield taking the higher register vocals with his soaring tenor.
They adopted their name in 1962 while performing together in the Los Angeles area as part of a five-member group called The Paramours, which featured John Wimber, one of the founders of the Vineyard Movement, on keyboards. At the end of one particular performance, a Marine in the audience shouted, "That was righteous, brothers!", prompting the pair to adopt the name when they embarked on a career as a duo.
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#12: Applications : Best Service Peter Siedlaczek's Extended Classical Choir KONTAKT |
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| Author: tronghoa | 18 September 2011 | Views: 974 |
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Best Service Peter Siedlaczek's Extended Classical Choir KONTAKT
English | Best Service Peter Siedlaczek's Extended Classical Choir KONTAKT | 774.96 MB
From the heart of Czechoslovakia comes the most haunting and inspiring set of vocal sounds ever captured by a sampler. Wait till you hear the awesome vocal power, the range of rich timbres, and the sheer human emotion of this beautifully sampled 70-strong ensemble - working with a library like this is a moving experience. Peter Siedlaczek s Classical Choir is an absolute masterpiece which crosses all musical dimensions. Featuring a philharmonic choir with worldwide credits. Up to 70 singers. Brilliantly recorded samples in an outstanding concert hall. Male, female and mixed choirs, in third steps. Bass, tenor, alto and soprano voices. Nothing has been left out: ensembles, clusters, sustained notes, syllables, words, glissandi, smooth, percussive or pianissimo - the variety is enormous. Not only important vowels, but even consonant like ZZZ , RRR , SSS (the ones which it is possible to sing!). At last, a true sampled choir - and you don t have to pay a top orchestra session fees to get it. |
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#16: Music : Etta Jones - Hollar!(2001) |
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| Author: Whisky | 17 November 2011 | Views: 112 |
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 Etta Jones - Hollar!(2001)Release: 2001 | Track: 10 | Format: Flac (tracks+cue+log+scans), lossless | 211 Mb Genre: Jazz Etta Jones had the spark that made each of her vocals special, though she was never acknowledged properly during a long career. Following her hit "Don't Go to Strangers," she continued to record first-rate songs. Many of her albums were unjustly out of print for decades, though Hollar! was finally reissued by Fantasy as part of their Original Jazz Classics series in 2001. Jones is backed by three separate groups on this release. Guitarist Wally Richardson provides the driving rhythm to back her swinging take of "And the Angels Sing," while vibraphonist Lem Winchester and pianist Richard Wyands support Jones in her emotional rendition of "I Got It Bad (And That Ain't Good)." Jones would eventually return to the brisk bop gem "Reverse the Charges" decades after this recording, but this early version is preferable, with a nice interlude by pianist Jimmy Neely. There's a bit of friendly conversation in the studio as Jones gets underway with another swinger, "Our Love Is Here to Stay," adding a boisterous tenor sax solo by Oliver Nelson. This is easily one of Etta Jones' best recordings. ~ Ken Dryden Recorded at Van Gelder Studio, Englewood Cliffs, New Jersey between 1960 and 1962. |
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#17: Music : Grant Green - Retrospective 1961-66 (2002) (4CD Box Set) |
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| Author: Whisky | 17 November 2011 | Views: 151 |
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 Grant Green - Retrospective 1961-66 (2002) (4CD Box Set)Label: Blue Note, Capitol | 4CD | MP3 320 kbps | 713 MB Genre: Jazz, Hard Bop, Jazz-Funk, Soul Jazz, Guitar Simply put, this is a very decent four-disc collection of the work of guitarist Grant Green. It features tracks from his many albums as a leader and some as a sideman with others, such as Lee Morgan, John Patton, Baby Face Willette, and Sonny Clark. His early-'60s sides are here along with most of his defining cuts from the '60s, from hard bop to soul-jazz to ballads to gospel -- everything most fans would ever want is here, including his late blues sides recorded in the bars of Detroit in 1970. While Green's own albums can never be replaced, this is a solid portrait of one of the most influential jazz guitarists in history. A boxed set can be the summation of a career, a historical survey, an unexpected find from the vaults, some bait for collectors and fans, a desperate trawl through past rejects, or, of course, all of the above. This year's crop of the larger boxed sets -- with a three-disc minimum -- includes a handful of big stars; many others have already been boxed in past years. Meanwhile, researchers are digging ever deeper into the archives of recorded music, giving a digital afterlife to sounds that might have vanished with the 20th century. Below, the pop music and jazz critics of The New York Times consider a selection of boxed sets released this year. (Prices are suggested retail.) Other notable 2002 boxed sets that have been previously discussed in these pages include collections by the Band, XTC and Charlie Christian. Of the guitarists who rerouted the instrument in jazz during the 1960's, Green was the earthiest and the most beholden to a small collection of favorite licks played in lean, metallic single notes. On the first two discs of this well-selected set, he's making soul-jazz with some of the best organists (Baby Face Willette and John Patton) and saxophonists (Harold Vick, Lou Donaldson) associated with Blue Note at the time; for the set's second half he moves away from the blues and the organ-jazz sound, supported by the likes of Sonny Clark and Herbie Hancock. Green helped create a mainstream for the period -- rarely thrilling, always beautiful. Personnel: Grant Green (guitar); George Braith (soprano saxophone, stritch, tenor saxophone); James Spaulding, Lou Donaldson (alto saxophone); Ike Quebec ( tenor saxophone, piano); Hank Mobley, Harold Vick, Joe Henderson, Sam Rivers, Stanley Turrentine, Wayne Shorter, Booker Ervin ( tenor saxophone); Johnny Coles, Lee Morgan , Tommy Turrentine, Blue Mitchell (trumpet); John "Johnny" Adriano Acea, Duke Pearson, Herbie Hancock, Horace Parlan, Winston Kelly, Kenny Drew, McCoy Tyner, Sonny Clark, Tommy Flanagan (piano); Jack McDuff, Jimmy Smith , Big John Patton, Larry Young, Baby Face Willette, Billy Gardner (organ); Bobby Hutcherson (vibraphone); Dave Bailey , Donald Bailey , Elvin Jones, Hugh Walker, Al Harewood, Louis Hayes, Philly Joe Jones, Art Blakey, Art Taylor, Willie Bobo, Ben Dixon, Billy Higgins , Otis Finch (drums); Richard Landrum, Carlos "Patato" Valdes (congas); Garvin Masseaux (tambourine). |
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#19: Music : Curtis Fuller - The Complete Blue Note/UA Sessions (3CD Box Set) (1996) |
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| Author: champosta | 29 November 2011 | Views: 117 |
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 Curtis Fuller - The Complete Blue Note/UA Sessions (3CD Box Set) (1996)Genre: Jazz, Hard Bop | Label: Mosaic Records | 3CD | MP3 320 kbps | 482 MB Trombonist Curtis Fuller, who developed his sound out of the style of J.J. Johnson, recorded prolifically as a leader from 1957-1962. After recording three dates for Prestige and New Jazz within a seven-day period in 1957, Fuller made four albums for Blue Note from 1957-1958, and after three albums for Savoy, he cut a lone session for United Artists in 1959. All of the five Blue Note and United Artists records (plus an alternate take of "Down Home") are on this excellent three-CD limited box set, released in 1996. Fuller is heard with four different quintets that include either tenor saxophonist Hank Mobley, baritonist Tate Houston, trumpeter Art Farmer, or (on a date only previously out in Japan) fellow trombonist Slide Hampton; the rhythm sections consist of either Bobby Timmons or Sonny Clark on piano, Paul Chambers or George Tucker on bass, and Art Taylor, Louis Hayes, or Charlie Persip in the drum slot. In addition, there is a sextet session with Lee Morgan, Mobley, Tommy Flanagan, Chambers, and Elvin Jones that has arrangements by Gigi Gryce and Benny Golson. Throughout, the music is high-quality hard bop with plenty of fine features for the underrated but talented Curtis Fuller. |
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![Vienna Symphonic Library Tenor Trombone [KONTAKT]](http://i30.fastpic.ru/big/2012/0102/47/17a6feff9d830b4ee85e5694a9c60547.jpg "Vienna Symphonic Library Tenor Trombone [KONTAKT]")
